Stephen Yates Saturday 22nd February 2003
Greenwood Guitar Society's current concert series is impressively international in flavour. But tonight's guest, Stephen Yates, didn't need a budget airline to get here - he's something of a local boy, from South London. Nothing provincial about his programme, or playing, though: a very solid programme performed with great accomplishment.
Yates is one of the most wide-ranging players on the scene. A
dazzling exponent of traditional Celtic and American music on the
banjo, and outstanding steel string player, he has also recorded and
toured as lead guitarist of a rock band!
He was in mainstream classical mode tonight, though, opening with
the Bach. The third and fifth movements impressed the most with
their clean elegance and neat ornamentation, and the fourth was
delightfully crisp and bouncy. The hall's infamous proximity to
passing trains was maybe to blame for a couple of memory lapses.
Yates's plummy, well-upholstered tone recalls that of Manual
Barrueco, so it was no surprise to learn that Yates is a fan of the
Cuban guitarist, whose fearsome arrangements of the Paganini
(including fast harmonics, very fast runs, leaping high notes and
half-stopped strings) were dispatched with great verve.
The second half saw some richly Spanish sounds in the Albeniz and
Granados, and in Rodrigo's remarkable homage-within-a-homage, a
wonderful work which pays tribute to Falla. Very different in
atmosphere were Peter Maxwell Davies¹s Hill Runes: no scorching
Iberian sun here, but the misty and mysterious earthiness of the
composer's Orkney home. Two Barrios standards rounded off the second
half of the official program.
For an encore Yates performed Morel's delightful arrangement of the
familiar Westside Story numbers, I Feel Pretty, Maria, and I'd Like
to be in America, completing an enjoyable evening from an unusually
talented performer.
There's a lot of justifiably worried talk at the moment about
government legislation on live music venues. If concerts like this -
played, incidentally, to another virtually full house - were to
become impractical, it would be very sad indeed for music and music
lovers.